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  • A tawny headland curving into grey-green sea under an overcast sky, with mountains on the horizon.
    The headland above the bay.
  • An aerial view of a grass-topped headland ending in dark sea cliffs, a village of red and white houses below.
    The village under the cliff.
  • A small white house at the foot of brown mountains beside a grey lake, under low cloud.
    A house at the head of the valley.
  • Dark sea water seen from above, with white surf breaking against a rocky shore.
    Surf from the cliff edge.
  • A narrow valley with a small white building, a grey lake, and a waterfall under heavy cloud.
    Rain coming down the valley.
  • A tawny mountain sloping into the sea, a dark stony beach curving around grey water.
    The bay from the road.
  • Houses with red, green, and black roofs clustered on the shore below a tawny mountain.
    Roofs on the only flat ground.
  • Brown sea cliffs dropping into grey water, with white surf and more cliffs fading into the distance.
    Cliffs in the wind.

I went to the Faroe Islands for ten days in October and saw the sun for about an hour. It didn’t matter. Under a constant grey sky the islands come down to two tones, tawny grass and slate water, and the shapes come forward: headlands like folded paper, cliffs dropping straight into the surf, villages tucked into the only flat ground.

I shot from the cliff paths and the roadside, often in wind strong enough to shake the tripod, and waited for gaps in the cloud that never came.

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