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Taking two new projects in November

Brands that sell the craft.

Identity, packaging, and print for small makers. One designer in Lisbon, from the first call to the last print proof.

4.9 from 86 reviews
Six ribbed and marbled ceramic vases in blush, charcoal, oat, and mustard on a live-edge wooden board, one holding dried grass.Vermilion and kraft envelopes laid in a checkerboard grid on a black surface, seen from above.A pink lily resting between two pale stone triangles against a pink backdrop, with a soft shadow to the right.
Years in practice
11
Projects shipped
140+
Average rating from 86 reviews
4.9
To answer a new enquiry
24h

Eleven years of designing for people who make things.

I learned design in a print shop, not on a screen. Setting type by hand taught me that a detail is felt before it is seen, and I still draw every identity that way, from the first sketch to the press check.

Hugo Merrin

Independent brand designer and art director

More about me
Portrait of Hugo Merrin

Where I've worked

Independent practice Brand designer and art director · Lisbon 2021 – Today

Identities, packaging, and print for small makers, from the first sketch to the press check.

Studio Ferrow Senior designer · Porto 2018 – 2021

Led packaging ranges for food and drink clients and ran the studio's print checks.

Quillmere Designer · London 2016 – 2018

Logo systems, type pairings, and launch campaigns for independent retail brands.

Tessel Print Works Junior designer · Lisbon 2015 – 2016

Set type by hand, mixed inks, and learned how paper changes a design.

In their words, not mine.

4.9 from 86 reviews

5.0 out of 5

“Hugo spent a morning in the kiln room before he drew anything. The labels read like our glaze notebook, and our stockists noticed straight away.”

Joel Ashcombe Founder, Marrow Kiln

5.0 out of 5

“He sent a shot list written as sentences, so everyone on set knew what each frame was for. We never reshot a single frame.”

Ruairi Kell Co-founder, Saltmoor

4.8 out of 5

“Clear scope, fixed price, and a weekly call that never ran over. The proofs arrived when he said they would, every time.”

Matthias Oberle Managing director, Werrin Paper

5.0 out of 5

“Most designers send files and disappear. Hugo came to the press, pulled a test print himself, and adjusted the type on the spot.”

Lior Mattes Co-owner, Corvane Press

5.0 out of 5

“He kept every small colour decision on one shared sheet, so nothing was decided twice. Our shop staff now explain the fan without notes.”

Dario Wrenfield Head of colour, Ravel & Hue

4.9 out of 5

“We asked for nicer gift bags and ended up with a tidier stockroom. Everything ships flat now, and the bags still look good on the counter.”

Ezra Pellow Owner, Pellow & Co.

Recent clients

By the month, or by the project.

Two ways in, both priced up front. A monthly seat for ongoing work, or a fixed quote for one project.

Billing period

2 months free with yearly billing

  • Part-time retainer

    Two weeks of my time each month. For brands with a lighter but regular flow of requests.

    €3,600/ month

    • One request in progress at a time
    • Drafts within three working days
    • Brand and print
    • A review call every two weeks
  • Monthly retainer

    A set monthly fee for your regular brand and print requests. Suits teams that send work every week.

    €6,400/ month

    • One request in progress at a time
    • First drafts the same week
    • Brand, packaging, and print
    • A weekly review call
    • Source files with every delivery
    • Rolling monthly terms
  • Priority retainer

    Two requests in progress at once. For launches, seasonal ranges, and busy quarters.

    €11,200/ month

    • Two requests in progress at a time
    • Brand, packaging, print, and launch
    • Two review calls a week
    • Source files with every delivery

Asked before every project.

01What happens after I get in touch?

I reply within a day with a few questions about your goals, your dates, and your budget. If we are a good fit, a short call follows, then a written scope with a fixed price and a timeline.

02Do you work with my developer or printer?

Yes. I send print-ready files with written specs, check the first proofs, and stay on the thread with your developer until the site is live.

03How do you price a project?

Every project gets a fixed price, set from a written scope before work starts. If your needs change, we agree on the change in writing first, so the invoice never surprises you.

04When do I pay?

A project is paid in two parts: half to book the dates, the rest on delivery. The monthly plan is billed at the start of each month, by bank transfer or card.

05Who owns the final files?

You do. With the last payment, full rights pass to you, along with the editable source files and a short guide to using them.

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