Anselm Rook, photographer of quiet places.
Landscape, architecture, and still life. Based in Marseille, travelling wherever the light is worth the trip.
Anselm Rook, photographer of quiet places.
Landscape, architecture, and still life. Based in Marseille, travelling wherever the light is worth the trip.
Anselm Rook, photographer of quiet places.
Landscape, architecture, and still life. Based in Marseille, travelling wherever the light is worth the trip.
Brecon Beacons, Wales 2016
Anselm Rook, photographer of quiet places.
Landscape, architecture, and still life. Based in Marseille, travelling wherever the light is worth the trip.
Anselm Rook, photographer of quiet places.
Landscape, architecture, and still life. Based in Marseille, travelling wherever the light is worth the trip.
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“I go back to the same few places until the weather does something worth keeping. Most days it doesn't, and those days teach me where to stand.”
Anselm Rook Photographer, Marseille“I go back to the same few places until the weather does something worth keeping. Most days it doesn't, and those days teach me where to stand.”
Anselm Rook Photographer, MarseilleTwo hours a day, out on the dunes
Dune Light, Sharqiya Sands, Oman, 2025. Shot only in the first and the last hour, while the ripples still cast a shadow.
Open the series
Ridges at first light. 
A balloon's shadow, there for a minute. 
Ripples after the night wind. 
Grass holding the slope. 
A bowl of shadow, late afternoon. 
Ripples leading to the high dune. 
The high dune before sunset. 
Last light on the flat.
Two hours a day, out on the dunes
Dune Light, Sharqiya Sands, Oman, 2025. Shot only in the first and the last hour, while the ripples still cast a shadow.
Open the seriesRidges at first light. A balloon's shadow, there for a minute. Ripples after the night wind. Grass holding the slope. A bowl of shadow, late afternoon. Ripples leading to the high dune. The high dune before sunset. Last light on the flat.
Six series, made slowly.
Each one took a season or longer. A shore, hills, a desert, courtyards, and one table in my studio.
All workMarrow Kiln
Branding · 2025
Werrin Paper
Branding · 2024
Saltmoor
Art direction · 2025
Ravel & Hue
Branding · 2023
Pellow & Co.
Packaging · 2024
Corvane Press
Print · 2023
Night Shore
Photography · 2024
Cypress Lines
Photography · 2023
Dune Light
Photography · 2025
North Atlantic
Photography · 2022
Quiet Table
Photography · 2024
White Courtyards
Photography · 2025
Six series, made slowly.
Each one took a season or longer. A shore, hills, a desert, courtyards, and one table in my studio.
All work-
Marrow Kiln
2025 · Marrow Kiln -
Werrin Paper
2024 · Werrin Paper -
Saltmoor
2025 · Saltmoor -
Ravel & Hue
2023 · Ravel & Hue -
Pellow & Co.
2024 · Pellow & Co. -
Corvane Press
2023 · Corvane Press -
Night Shore
2024 · Personal series -
Cypress Lines
2023 · Personal series -
Dune Light
2025 · Personal series -
North Atlantic
2022 · Personal series -
Quiet Table
2024 · Personal series -
White Courtyards
2025 · Personal series
Six series, made slowly.
Each one took a season or longer. A shore, hills, a desert, courtyards, and one table in my studio.
All workSix series, made slowly.
Each one took a season or longer. A shore, hills, a desert, courtyards, and one table in my studio.
All workBranding · Packaging2025
Marrow Kiln
One label layout now carries 40 glazes.
Brand identity, Packaging
Branding · Print2024
Werrin Paper
Six product lines share one envelope range in two inks.
Brand identity, Print
Art direction2025
Saltmoor
Twelve campaign stills from two studio days.
Art direction, Set design
Branding · Packaging2023
Ravel & Hue
A 96-colour fan sorted by light, not by name.
Colour system, Packaging, Website
Packaging2024
Pellow & Co.
Gift bags that ship flat in one box size.
Packaging, Print
Print2023
Corvane Press
300 hand-pulled posters for an autumn print fair.
Typography, Print
Photography2024
Night Shore
Eight frames of a city seen across dark water.
Personal series
Photography2023
Cypress Lines
Roads and hills drawn by rows of cypress.
Personal series
Photography2025
Dune Light
Sand, shadow, and the hour in between.
Personal series
Photography2022
North Atlantic
Headlands and villages under one grey sky.
Personal series
Photography2024
Quiet Table
Still lifes from one table and one window.
Personal series
Photography2025
White Courtyards
Arches, shadow, and polished stone.
Personal series
Booked by the day, quoted before the shoot.
Three ways to work together. Every quote names the travel, the edit, and the licence before the shoot.
Agree the scope
A short call to set the work and the first week. The first invoice holds your month.
Send briefs as they come
By email or in a shared folder, one at a time: a label, a box, a landing page.
Go through it together
A weekly call on the drafts in progress. Source files follow every approval.
Brands, books, and places, photographed in their own light.
2 openings left this month
Monthly retainer
A set monthly fee for your regular brand and print requests. Suits teams that send work every week.
€6,400/ month
- One request in progress at a time
- First drafts the same week
- Brand, packaging, and print
- A weekly review call
- Source files with every delivery
- Rolling monthly terms
One-off project
A fixed quote for one identity, range, or campaign. Scoped on a call and priced before work starts.
- Price agreed up front
- Print and web files
- Handover to your printer
- A month of support
Booked by the day, quoted before the shoot.
Three ways to work together. Every quote names the travel, the edit, and the licence before the shoot.
Shoot day
A brand, a product range, or a place, on location or in my studio.
- Location scout or studio set-up
- Up to ten hours on site
- A first edit within a week
- Licence for web and print
From €1,800 / day
Series commission
A short series for a hotel, a book, or a campaign, made over three days.
- Three shoot days
- A sequenced edit
- Test prints before the final edit
- Licence for web and print
From €5,400 / series
Art direction
Direction for a shoot when someone else holds the camera.
- Moodboard and written brief
- Shot list and schedule
- Direction on set
- Final selection
From €1,400 / day
4 months still open
- Jan Booked
- Feb Booked
- Mar Open
- Apr Open
- May Booked
- Jun Open
- Jul Booked
- Aug Booked
- Sep Open
- Oct Booked
- Nov Booked
- Dec Booked
Booked by the day, quoted before the shoot.
Three ways to work together. Every quote names the travel, the edit, and the licence before the shoot.
2 months free with yearly billing
Part-time retainer
Two weeks of my time each month. For brands with a lighter but regular flow of requests.
€3,600/ month
- One request in progress at a time
- Drafts within three working days
- Brand and print
- A review call every two weeks
Monthly retainer
A set monthly fee for your regular brand and print requests. Suits teams that send work every week.
€6,400/ month
- One request in progress at a time
- First drafts the same week
- Brand, packaging, and print
- A weekly review call
- Source files with every delivery
- Rolling monthly terms
Priority retainer
Two requests in progress at once. For launches, seasonal ranges, and busy quarters.
€11,200/ month
- Two requests in progress at a time
- Brand, packaging, print, and launch
- Two review calls a week
- Source files with every delivery
Commissions for these makers
Commissions for these makers
Said after the shoot.
He waited two days for the right overcast sky and never once asked us to move the date. The stills look the way the flowers smell.
Ruairi Kell Co-founder, Saltmoor Anselm shot our glazes by the kiln-room window instead of under a softbox. For the first time, the pictures match what people unwrap.
Joel Ashcombe Founder, Marrow KilnForty products in two days, and each one lit as if it were the only one. The contact sheets arrived the same evening.
Matthias Oberle Managing director, Werrin PaperColour is our whole trade. His prints were the first our colour team signed off without a single note.
Dario Wrenfield Head of colour, Ravel & Hue
Said after the shoot.
He waited two days for the right overcast sky and never once asked us to move the date. The stills look the way the flowers smell.
Anselm shot our glazes by the kiln-room window instead of under a softbox. For the first time, the pictures match what people unwrap.
Joel Ashcombe Founder, Marrow KilnForty products in two days, and each one lit as if it were the only one. The contact sheets arrived the same evening.
Matthias Oberle Managing director, Werrin PaperColour is our whole trade. His prints were the first our colour team signed off without a single note.
Dario Wrenfield Head of colour, Ravel & HueSaid after the shoot.
“He waited two days for the right overcast sky and never once asked us to move the date. The stills look the way the flowers smell.”
“Anselm shot our glazes by the kiln-room window instead of under a softbox. For the first time, the pictures match what people unwrap.”
Joel Ashcombe Founder, Marrow Kiln“Forty products in two days, and each one lit as if it were the only one. The contact sheets arrived the same evening.”
Matthias Oberle Managing director, Werrin Paper“Colour is our whole trade. His prints were the first our colour team signed off without a single note.”
Dario Wrenfield Head of colour, Ravel & Hue